Umineko Episode 1 - Full Series Spoilers General

I did consider the idea of the blood being faked, and it being misdirection is a rather intuitive and easy interpretation, but the problem is, misdirection why? Why would Yasu put in that bit of misdirection, what would she accomplish with that? So far I haven’t been able to come up with a plausible reason. And as long as I don’t find one I’m not going to assume the blood is a fake just because it could be.

George is not a POV but he talks about the ‘ice picks’ in his parents’ skulls later on, and he definitely saw Eva’s body himself so that’s not second-hand information. And since I don’t believe George is in on it (his reactions are WAY too genuine to believably be from a script) I’ll take his word for it.

There’s a lot to doubt in Kanon’s story, hell that very scene has a lot of obvious fantasy in it, but even so I still question whether individual details are unreliably narrated, and if so there must be a reason for that.

In response to this part in particular:

A story is still told for a reason. There’s a lot of scenes in this episode basically told from Kanon’s perspective (albeit by a narrator) that contain a lot of very important bits of truth in them. Dismissing everything that’s seen from his perspective as ‘a story’ and not thinking deeper into it is pretty destructive.

My problem with your argument is that all of what you want me to support with evidence is incredibly obvious and apparent if you don’t assume it’s all fake. Like there being more than one gun; it’s unmistakably proven by Natsuhi being shot at the end. And because I don’t think it’s fake, that’s that! It’s direct textual evidence that the culprit possesses a gun! ONLY barring the interpretation that it’s all fake, which again, I don’t share. Why don’t I share it? For reasons from all over Umineko, which I’ll gladly elaborate on as we go through the Tea Party.

He’s not a suicidal robot but he’s more than aware of the fact that they’re all going to die at midnight anyways and feels incredibly indebted to both Kinzo and Yasu. He’s already been willing to help Yasu with murders, and he continues to do so in Turn.

All I can say is… no it wouldn’t be the limit. Like I thought of writing a lengthy argument, but that’s basically what it boils down to, so there.

It’s funny when comparing this to the previous quote exchanges we just had, because I find this to be a lot less reasonable than you make it out to be. The idea that Battler describes the bodies like that and fails to notice that it’s all fake is very hard, nay pretty much impossible for me to swallow. And neither of the following two episodes’ first twilights are faked so I fail to see how I’m in any obligation to explain why “this one in particular is not”.

I apologize if I dodged a question without realizing, it wasn’t my intention. Basically the reason I believe that this wording comes up repeatedly is because that’s the narration style Battler uses to describe something unbelievable. Like he can’t believe this is actually happening so he narrates it as something not real. Consequentially, when he actually stops calling it makeup like one or two lines later he essentially acknowledges it as being real which is a much bigger deal to me.

As for the evidence thing, I went into this earlier. A lot of the evidence is implicitly present if you accept that the murders are real.

I’m a bit at a loss what you actually want me to explain here. The meta plot hasn’t even really started at this point in Umineko yet - at least there’s nothing for us to observe - but I’ll just say that I think that from the perspective of the meta plane the change in authorship from Yasu to Tohya is, in fact, trivial and unimportant. What’s much, much more important in the meta plane is the change in game master from Beato to Lambda to Battler (which didn’t come with a change in authorship for the forgeries). But again I feel like later episodes provide a better opportunity to discuss this, partly too because I want to reread the episodes before I end up constructing a flimsy argument based on possibly wrong memories that makes our discussion lead to nowhere.

Except that Natsuhi trying to hide Kinzo’s death is a prevalent issue both on October 4th and 5th, and I see no reason to doubt the legitimacy of any of it. She reacts exactly the way she would if it’s not staged, even to the point of getting defensive about her own magical coping mechanisms. Not to mention we actually get a scene narrated from her perspective where she “tries to convince Kinzo” which goes entirely against the idea of it all being a script, unless you reject literally everything about that scene.

This quote in particular indicates to me a fundamental difference in our understandings of how Yasu’s mind works. First off, I think neither of the two claims you paraphrase are bullshit. Secondly, what does she want to be “stopped” from, exactly? Or better yet, what was her most basic goal in the first place? Thirdly, does the motivation of (Meta)-Beatrice align with Yasu’s game board motivation in your interpretation? There’s a lot more in your interpretation I can’t quite wrap my head around just yet.